« Archives in April, 2011

“The Wind-Up Bird Chronicle” by Haruki Murakami

I finished up Haruki Murakami’s ‘The Wind-Up Bird Chronicle’ the other day, and I felt like someone had snapped me out of a hypnotic trance. (Of course, that could have been the effects of the compound hangovers I was suffering.)

Murakami’s style is dreamy, riveting, and occasionally exasperating. For a book in which almost nothing happens (and at almost 700 pages, that is a lot of nothing), it is astonishingly hard to put it down. My favorite aspect of his writing is that you can’t tell what is fantasy and what is reality, and you quickly find yourself not caring, as this is obviously not of any real consequence to the characters involved.

All of this contributes to the feeling that you not really reading the book, but that you are instead meandering through a very lucid daydream. This is an impressive feat, given that the English version was actually a translation from the Japanese.

After turning the last page, I had the feeling that I had subconsciously learned some subtle lesson that I couldn’t specify in words. I don’t think I’ve ever read anything that was simultaneously so raw and yet so … delicate, like cotton candy made from gossamer cowflesh.

If you have the patience for this sort of thing (e.g. You can read Nabokov for enjoyment), I’d strongly recommend it.

P.S. this is the first blogpost I’ve ever written from a smartphone. Big ups.

P.P.S. I’ve previously read ‘After Dark’ by Murakami as well, a good long time ago. I remember really enjoying that as well.

P.P.P.S.: This is one of the first books I’ve read where I had a hard time finding plot synopses / discussions online. Now I’m stuck using my own brain to interpret the significance of major plot events, which kinda sucks.

GridLink “Orphan” first impressions / mini review

If I was to approach this mini-review in the same way that Jon Chang approaches musicmaking, it would read simply:

“HOLY FUCKING SHIT.”

I first discovered Chang & co when I downloaded the Hydrahead sampler, and one of the Hayaino Daisuki tracks appeared on it. HD is like, the distilled essence of everything I love about thrash. I personally prefer HD to GridLink, but only in the way that I prefer slightly better beer to beer.

What HD is to thrash, GridLink is to extreme metal. (Pick your genre preference, I don’t care — if your average Slayer fan would listen to it and say, “whoa, that sounds like noise”, I just label it as “extreme”.) It’s like Chang and company have extracted the essence of what makes extreme metal awesome, distilled it to toxic levels, and injected it into the best 12 minutes of your life.

When I first picked up Amber Gray, I could only listen to it once through before needing a break. In comparison, the tracks on Orphan have much more variety. There are a few songs where you can even identify a chorus among the verses, which is quite the feat for an album where the longest track clocks in at 1:28. I bought the digital download mere moments after it became available, and I listened to the album for a straight hour before finally hitting my saturation point.

As an added bonus, if you buy the Orphan + Amber Gray combo pak (or vinyl), you actually get the remastered edition of Amber Gray, which is totally ninja. When I first hit play on the remaster and the new, shiny snare fill ripped into my skull, I had the distinct feeling that this was the best thing I’ve ever spent money on.

I hope GridLink does well enough with this album that they can continue to churn stuff like this out. As for me, it’s time to get back to the grind.

\m/

Buy the digital download here